CVETKA POAR
The Museum of Architecture and Design, Ljubljana
CONTINUITY AND CHANGE:
The Biennial of Industrial Design over the First Twenty Years
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Journal 11/2015 (Museum of Applied Art), pages 18-26
Article category: original scientific paper
UDC:
7.05:069.9(497.4)1963/1983
Abstract (original language):
The text is an attempt to analyse the first twenty-year history of the Biennial of Industrial Design BIO. It focuses on the Biennial's chief organizational aspects: the effort behind its establishment, purpose, and role; the Biennial's achievements; and, not least of all, the need to revise its underlying concept.
In Yugoslavia, the main aim of the BIO exhibition was to connect designers with industry. This was done with considerable success, especially in its first decade, when the Biennial of Industrial Design in Ljubljana was, along with the Milan Triennial, one of the most important design events in Europe; it was also the first such biennial in the world. Large numbers of designers from both Western and Eastern Europe took part in the exhibition.
Key words: (original language)
Biennial of Industrial Design, industrial design, history of design, organizational aspects of the biennial
Summary:
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