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pavkovic.marko.filip@gmail.com

THE BRICK AS A MEDIUM OF REPRESENTATION: Count Krsto II Ori? Slaveti?ki and Residential Architecture
?????? ????? ??????????????: ???? ????? II ????? ?????????? ? ?????????????? ???????????

Zbornik 18/2022 (Muzej primenjene umetnosti), strana 21-30

Kategorija članka: ?????????? ?????? ???

UDK:
728.3/.6(497.5)"17"
929.732:929 ????? ?????????? ?.

Apstrakt:
Architecture, as a medium of representation, has always been one of the most expressive ways of conveying a commissioners power. A commissioner is not a person who passively accepts the architects idea, but rather actively participates in the realisation of the building they finance. The aim of this paper is to explore the commissions of Count Krsto II Ori? Slaveti?ki (17181782) in relation to residential architecture, i.e., residential architecture will be observed as a medium of personal and family representation. The paper will not list Ori?s every commission and purchase of residential buildings, nor will they be listed chronologically. Instead, each of the selected buildings, some of which are located in the countryside, with others in urban areas, will be analysed as a separate case study. We will try to identify analogies in the spatial and decorative design of the buildings and study Ori?s role in the final realisation of the buildings he had commissioned. The analogies, a result of the commissioners wishes, are revealed in the spatial organisation of the architectural complexes, the layout organisation of the interior, and in the repertoire of decorative motifs on the works of decorative arts. It is interesting to note that Ori?s son Adam (17481820), in his memoirs, described the construction and significance of several buildings covered in this paper.

Ključne reči:
Baroque, commissioners, Count Krsto II Ori? Slaveti?ki, residential architecture, Zagreb

Summary:
??????????? ??? ????? ?????????????? ?????? ?? ???? ????? ?? ????????????????? ?????? ?? ??????????? ???? ?????????. ????????? ???? ????? ???? ??????? ???????? ????? ?????????, ???? ??????? ????????? ? ??????????? ????????? ???? ?????????. ??? ???? ???? ?? ????????? ????????? ????? ????? II ?????? ??????????? (17181782) ? ???? ? ??????????????? ????????????, ??????? ?????????????? ??????????? ?? ?? ?????????? ??? ????? ????? ? ????????? ??????????????. ? ???? ?? ???? ?????????? ????? ???????? ????????? ? ???????? ????????? ???????? ???? ?? ?? ??? ?????????? ????????. ?????? ????, ????? ?? ????????? ????????, ?? ????? ?? ???? ?????? ?? ????, ? ????? ? ??????? ?????????, ??????????? ?? ??? ??????? ??????? ???????. ?????????? ?? ?????????????? ????????? ? ?????????? ? ???????????? ?????????? ??? ???????? ?? ?? ???????? ???????? ????? ? ???????? ??????????? ????????? ???? ?? ?????????. ?????????, ???????? ???? ?????????, ????????? ?? ? ?????????? ???????????? ?????????????? ????????, ????????? ??????????? ?????????? ?? ? ?????????? ???????? ?????? ?? ??????????? ????????? ?????????. ????????? ?? ????????? ?? ?? ??????? ??? ???? (17481820) ? ?????? ????????? ?????? ???????? ? ?????? ???????? ????????? ????????? ? ???? ????.

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