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angelina.milosavl?evic@fmk.edu.rs
andjelijam@gmail.com
???? ????: ????????? ??????? ? ?????????? ???????? ?????? ?????????? ?? 1543. ? ?????? ???????? ?? 1609. ??????
BODIES ALIVE: Applied Graphics in Anatomical Atlases by Andrea Vesalius of 1543 and Johann Remmelin of 1609
Zbornik 14/2018 (Muzej primenjene umetnosti), strana 15-25
Kategorija članka: ?????????? ?????? ???
UDK:
76.041.2
655.553
Apstrakt:
??????? ?? ? ???????? ????????? ???? ?????????? ???????? ?? ?????? ?????????? ?????????, ??? ??, ????? ????????????? ???????????, ???? ???????????? ????? ????????? ?? ??????. ???? ???????? ?? ???????? ? ?????????, ??? ????????????, ???????????, ??????????, ?????????-???????????, ????????????, ? ??????. ??????? ?? ?? ?????????? ??????? ??????? ? ? ?????????, ????????? ? ????????????? ?????? ? XVI ????, ??????? ???? ?????????? ????? ? ????????????????? ??????????? ???????? ????????? ? ?????????? ???????? ??????? De humani corporis fabrica (1543) ?????? ?????????? (Andrea Vesalius), ? ??????? ? ? Catoptri Microcosmici (1609) ?????? ???????? (Johann R?mmelin), ? ?????? ?? ????????? ?????????? ???????? ???? ? ??????? ????? ???????? ???? ???????? ? ??????????? ?????????? ??????? ? ??????, ??? ? ? ??????? ?????????????. ? ???? ???? ?????? ?? ??????? ?? ?? ?? ?? ??????????? ????????? ??????, ??????????? ?????? ?????????? ?????????????? ? ????????? ???? ?? ?????????? ???????? ??????? ??????????? ?????????????, ???????? ?????? ?????? ?????????????? ????????????????? ??????? ? ????? ?????????? ????????????? ?????????. ????????? ????????????? ???? ?????????, ??????????? ??????????? ??????????? ????????? ?????? ???? ??????????? ???? ? ????????? ????? ??????? ????, ??????????? ?? ? ?????? ????????? ????? ???? ?????????? ??????. ? ??????? ?? ??????????, ??? ?? ??????????? ?????? ?? ??????????? ??????? ? ????????????? ? ??????????? ??????, ??? ? ?? ?? ???? ?????????? ?????????. ? ??? ????????????? ???????, ????????? ?????????? ????????????? ???????? ????? ?? ????? ???????????? ?? ???????, ???????? ?? ?????? ???????? ???? ? ??????????????, ??? ??? ???? ????????? ???????, ?????? ??????? ?????.
Ključne reči:
????????? ?????, ?????? ????????? (15141564), ????? ??????? (15831632), ?????????? ???????, ?????????? ????????? ???????
Summary:
Graphic print has long been considered from the point of its aesthetic values, due to the conventional disciplinary boundaries, leaving its utilitarian values to the theory and history of graphic design. Its function defines its genres: devotional, decorative, didactic, political and propagandistic, illustrative, and similar, combined with its physical characteristics, its materiality, and formats. Prints gained their unprecedented scope in form, function and media in the 16th century, finding their exquisite expression in the three-dimensional representations of human anatomy in anatomical atlases, especially in Andrea Vesalius' De humani corporis fabrica of 1543, and later on in Johann Remmelin's Catoptri Microcosmici of 1609. They reflect the strategies of opening the body and a look beneath the surface, the skin, expressed in the Renaissance art theory and practice, as well as in scientific research. In this paper, we would like to show that the illustrators of these atlases, owing to their artistic interests and knowledge that predated strictly scientific medical research, rejected the old models of schematized twodimensional images and introduced volumetric representations characterized by complexity and immediacy. With formal layering of these representations, achieved by specific overlapping of constituent parts that enable the insight into anatomical intricacies of the human body, the illustrators introduced new didactic methods into the process of acquiring and communication of knowledge. In cooperation with scientists, they found ways to translate information into recognizable and accessible models, giving them the cognitive structure. In this visualization of knowledge, in the creation of dynamic interactive patterns that could be manipulated according to need, artists also brought new and revolutionary, but still insufficiently known, solutions of book design.
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