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FATTORIA DI CELLE GORI: ?????? ?????????? ???????-?????????? ?????????
FATTORIA DI CELLE GORI: Contribution to the Study of Site-specific Art
Zbornik 18/2022 (Muzej primenjene umetnosti), strana 99-106
Kategorija članka: ????????? ???
UDK:
069.5(450)"19"
Apstrakt:
????????? ?????? ??????????????? ?? ???????? (site-specific art) ???????????? ?? ?????? ???????? ???????? ??? ??????????? ??????????? ??????? ?????????: ??????, ??????, ????????, ?????? ?????????, ???????? ??????????, ???????????? ?????????????? ? ??????. ?????? ?????????? ? ????? ???????????? ?????? 20. ???? ??? ????????? ?????? ????????? ?? ????? ?? ?????????????? ????????? ???????? ???????? ?????????: ????? ???????? ??????????. ?????????? ????????????? ???????????? ?? ?? ????????? ???? ?????????, ???????? ??????????????? ?? ???????? ????????? ?? ??????? ????? ????????? ??????????? ? ??????????? ????. ????????????? ????????? ?????? ????????? ???? (Gori), ???? ?? ??????? ???? ????, ???????? ?? ?? ???? ? ????????? ??????? ????? 20. ????, ?????????? ? ?????????? ???????-?????????? ?????????. ???? ?????-???????????, ??????? ???????, ???????? 80 ???? ???????-?????????? ????????? ???? ?????? ?? ????????????? ????? ????????? ??????? ?????????. ?????? ? ????????? ?????? ??????? ?????????? ?? ??????, ?? ???????? ? ????????? ???????? ? ????????, ????????? ?? ??? ????????? ???????? ????????? ?????? ???? ??, ? ???? ????????, ???? ??????? ???? ????. ??????????????? ???????? ??????????????? ?? ?? ??? ??????? ???? (Richard Serra) ? ?????? ???????? (Dani Karavan). ?????????? ?????? ????????? ? ?????????????? ??????????????? ?? ?? ??????? ?????? (Robert Morris) ? ???????? ?????? (Daniel Buren), ? ???????????? ?????????????? ???????????? ????, ???? ??, ?????????????, ????????? ? ???? ????? ??????? (George Trakas). ????????????? ????????????????? ?????, ???????? ???????? ?????? ? ?????? ????? ???????? ? ????? ????????? ? ?????????? ????????? ????????? ?? ???????????? ?????????? ? ??????????? ????? ???????-??????????. ? ????????? ?? ?????????? ????? ?????????? ???? ?????? ???????? ??????????? ? ???????????, ??? ???????? ???? ???????????? ????????? ?????????, ???? ?? ???????? ? ??????????? ??????? ??? ???? ????.
Ključne reči:
?????????? ???, ??????????? ????????, ??????? ? ???????????, site-specific art, Fattoria di Celle Gori
Summary:
The uniqueness of the art collection Gori of the villa Celle, which is the subject of this work, is important for an insight into the artistic thinking of the late XX century and the study of site-specific art. The works of art in this collection encourage the viewer to specify the focus and examine the process which each artist had created respecting the ethics of the work in nature. The specificity of the garden of the villa, Gambinis Garden, articulated all the art of the collection, turning it into an interactive situation. In various artistic responses to the spatial framework of Gambinis Garden, three basic approaches stand out: spatial rationalization, examination of natural-artificial relations and, an open critique of the artificiality of the idea of an ideal, romantic, landscape in the modern world we live in. As part of a rational approach, Robert Morris and Dani Karavan adapt their artistic concept completely to the spatial framework. On the other hand, Richard Serra and Daniel Buren deal with the relationship between the perception of the observer and the artistic object of architectural form and proportion. Although the place of realization of the object for these artists is in the role of the spatial rule and the unchangeable parameter in the process of artistic work, it is still in the background in relation to the artists intention. Finally, George Trakas reveals the artificiality of Gambinis idealized landscape, which is separate from all the tensions of both the industrial world and the modern moment. A critical reading of the artistic heritage of the Gori villa refers at the same time to the art object, then to the landscape within which the art object is placed as a lens of observation, and the impression of the space that the observer goes through via the interaction with the art object. Thus, the artistic practice characteristic of the location is related to the intrusion into the real space and as such, the real space with its geographical, historical, cultural and other characteristics is the basis for the experience of the work of art.
Translated by the author
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