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GOBELINS AS NEGOTIATING PICTURES OF THE GENDER AND CLASS IDENTITY CONSTRUCTION
Зборник 16/2020 (Музеј примењене уметности), страна 48-56
Категорија чланка: ????????? ???
УДК:
746.3(497.1)?1963/1992?
Апстракт:
?????????? ?????????? ????????? ????????? ??????? ? ??????????????? ???????????? ????????? ??????????? ??????????? ?????? ??????????? ??? ??????????, ??? ? ?????????? ????????. ??? ?? ??????? ?? ???????????? ? ???????? ?????????? ? ????????????? ??????? ???? ?? ?????? ?? ?????? ???????????? ???? ??????? ? ????????? ??????, ??? ????????????????? ???????? ????????, ???? ?? ? ?????? ???????? ???? ???????? ?? ?????????? ???????????? ?????????? ??????????? ??????? ?? ???????? ????, ??? ???? ?? ??????? ????????? ? ?? ???? ???????????? ?????? ?????????? ?????????? ????????? ??????? Mittel Europe. ? ?????? ?? ?????????? ??????? ???????? ?????????? ???????????? ????? ?? ?????? ???????????? ????????? ???????, ????????? ??????? ?????? ??????, ?? ????????????-????????????? ?????????? ?????? ???? ?? ?????? ? ?? ???? ????????. ?????? ?? ????????? ? ??? ????? ???????????? ???? ?? ??????????? ????????, ?? ??????? ??????????? ???????? ???? ?? ????? ??????? ????????????? ????????? ??????? ????? ?????????? ?????? ??????? ????????? ???????? ??????????? ?????????? ???? ? ?????? ??????? ????????????? ? ???????????????? ? ????? ????????????? ??????? ?? ??????, ??????? ????????????? ???????? ?????????? ?????? ? ????????? ???????? ???????????. ??? ?????? ? ?????????????? ?????? ??????????? ????? ? ???? ????????? ????????? ??????????? ????? ? ???????? ???????, ??? ?????? ???? ????? ????????? ?? ?????????? ??????????? ?????????? ? ????????? ??????? ? ????.
Кључне речи:
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Summary:
To understand longevity of Wiehler's Gobelins in the Socialist Federal Republic of Yugoslavia one needs to treat them as specific social artefacts. This text is based on the presentation and interpretation of social and cultural processes that influenced great popularity of Wiehler's Gobelins in this country, seen as pseudo historical decorative objects that for a period of time represented a significant instrument for democratic levelling of different national cultures. At the same time, these needlecraft products are also valuable for understanding the continuing practice of Mittel Europe's uncritical cultural models' import. Gobelins, as construction instruments of gender and class identity, are discussed as industrially manufactured patterns and products that enabled members of our society to make their first steps towards consumerist society. The history of Jakob Wiehler's factory is also presented in this paper, as well as further interpretation of twofold poetic exploitation of the original works of art and their reinterpretation in the form of industrially manufactured Gobelins' patterns the problem of transposing the original works of art into the socially available goods. This paper further identifies the main motives for such a process and considers the issue of imitating the luxurious objects with massive frames and dominating pastoral scenes.
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