MICHAEL MOORE
Ulster University, Belfast School of Art, Northern Ireland, United Kingdom
m.moore@ulster.ac.uk
CONTROVERSIAL CROCKERY
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Journal 14/2018 (Museum of Applied Art), pages 26-31
Article category: scholarly paper
UDC:
738.01
738(417)
Abstract (original language):
Several pieces of industrially produced ceramics made ca. 1880 are secreted throughout the display cases of the National Museum of Ireland's Decorative Arts collection. These are mainly intended for domestic use, serving as teapots and plates, cups and saucers, though their surface decoration is incongruent with their functional design. The paper explores the use of what could be considered controversial imagery and text by referencing the pieces of ceramics telling a highly politicized story in the domestic settings of urban and rural homes in Ireland. It offers a brief consideration of colonial and post-colonial themes in the broader cultural or political context in Ireland, to help frame the discussion of Controversial Crockery in the Decorative Arts Collection of the National Museum of Ireland and beyond. The paper also examines other ceramic objects within Irish collections that tell multifaceted stories on the technical and aesthetic levels but also on levels relating to politics, history, folklore and material culture.
Key words: (original language)
Bally Brit pot, Erin Go Bragh tea set, Fonthill vase, Home Rule teapot, National Museum of Ireland, Carlow County Museum
Summary:
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